Come my Maestro

.
.
Come my Maestro

It is time
For an interlude

Play me

Tinkle the lines of my throat
The soft, ripe, plush
Of my mouth
Like the keys of a piano

Strike a chord within me
And make me feel
Wanton

Your strong fingers caress
Along the curve of my hips
as I arch,
And give myself in
to your manipulations

You
Play
me

Like a fine instrument
Knowing just when to pluck
My strings

You create within me
A perfect concerto
Reaching crescendo
With your ravenous lips
Upon mine

We rise and fall
In rhythm
To the movements
Of your baton
Until the final note
Dies away
Deep within

And after this most brief
intermission

I dare say
It is worth the time
For an encore

Ce n’est pas?

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dVerse ~ Poets Pub | OpenLinkNight Week 94

Daily Prompt: Second Time Around

Tell us about a book you can read again and again without getting bored
— what is it that speaks to you?

I list Piers Anthony Incarnations of Immortality series first because his On a Pale Horse was the first book that I read, finished and came back to happily for several years after its release.  As the remaining books of the series were released  (Bearing an Hourglass, With a Tangled Skein, Wielding a Red Sword, Being a Green MotherFor Love of Evil, And Eternity, and finally Under a Velvet Cloak), the wash, rinse and repeat process would ensue.  I know I reread at least one book from the series every couple of years.  In fact, now close to – if not past, some twenty years after my reading it for the very first time, I think I’m ready to enjoy On a Pale Horse again.

Anthony’s Incarnations of Immortality world is set in a future, but parallel earth where magic is as accepted as technology.  Thanks to various mythologies we are familiar with the personification of the concepts Death, Time, Fate, War, Nature etcetera, all of whom are immortal. The twist here is that the beings that hold these positions only do so for certain amount time depending upon their “office” and they are very human indeed.  For example Chronos (Time), lives his life in reverse to the rest of the incarnations, his future is actually their past and holds office only until the day he is born. Thus, if he is say 49 years of age when he takes office, he can only hold the office for 49 years and then must pass the job to his predecessor.  Each incarnation’s struggles/exploits with themselves, with the world at large and with each other as humans and as office holders to these supernatural positions make for some very interesting reading.  Imagine God as an office that you’re voted into. Gives you a little something to think about there doesn’t it? I concede that the world, society in general, has grown much more sophisticated in the passing years since these books were written. Purposely a little light-hearted at times, yet still thought-provoking, the books may not hold up to the more jaded, serious-minded adults, depending on literary tastes, but many will still delight in them.

The Kushiel Legacy series by Jacqueline Carey is a different animal.   The novels are split into three sets of trilogies. In publishing and storyline chronological order are Kushiel’s Dart, Kushiel’s Chosen, Kushiel’s Avatar – the Phèdre Trilogy,  Kushiel’s Scion, Kushiel’s Justice, Kushiel’s Mercy – the Imriel Trilogy and  Naamah’s Kiss, Naamah’s Curse and Naamah’s Blessing – the  Moirin Trilogy.  It is set in a detailed, fully developed alternate world very akin, but not quite like our own medieval past. This is a world of alternate religious, lands and people hold some similarities to ours, but not.  Not one of the heroes or heroines is perfect, not even close it. What is moral for our world takes on a different context in this one. With “Love as thou wilt” as a blessed precept of course there are some damn good sex scenes tossed throughout, but the protagonist lives are very much full of war, political intrigue, magic and of course love.  Carey creates faraway lands with their own characters, flavors and intrigues that excites and frightens, that draw you in always wanting more, but never becoming so far out of reality as to disdain believability and that is what works for me. In spite of their amazing adventures the characters here remain so very real.

I discovered the series when the second book was released.  As I read Kushiel’s Chosen, I quickly became so enthralled with the characters that I bought Kushiel’s Dart because I just had to know the details of how it all began.  It was not that I curious and wanted to know about the characters …I. Had. To. Know.   I have missed many a train stop as I became entrenched in the stories.

I love the Kushiel Legacy series so much, that not only do I have the physical books at home, but I also have the digital versions as well.  I can now pull up and re-immerse myself into the world of the Kushiel Legacy whenever I like.  If you love the Songs of Fire and Ice (Game of Thrones) series, trust me, go to Amazon or Barnes and Noble and pick up Kushiel’s Legacy to tide you over until R.R. Martin finally sits down and finishes the next book.

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Daily Prompt: Second Time Around

The Weighing In Of Opera

Buzzfeed.com had an interesting post on “What Happened To Opera”.  True to Buzzfeed’s style the article, while somewhat tongue-in-cheek, makes a damn good point  and gets extra kudos for the Bugs Bunny reference.

While the opera productions have become bigger, grander, the singers themselves have not, at least not size wise.   Here in America, as well as in other Western social minds,  the fat body is considered unhealthy, abnormal, something to be ashamed of, not the socially accepted form of what is sexy.

Many opera companies, especially the smaller ones, struggle economically. And apparently think the solution is to behave like popular music labels and play up the sexuality of their leading stars.  Singer Deborah Voigt, a leading dramatic soprano, was famously fired years ago for being too fat to portray a role as the stage director at that time had envisioned it.  Voigt was eventually reinstated after she lost the weight through gastric band surgery. Yes, she states it was for her own health reasons, but no one can be blamed for the unspoken wink, wink, nudge, nudge  that goes with it.  Erstwhile mega operatic superstars such as Norman and Sills and Pavarotti would likely be hard pressed to keep their standing in this new aesthetic. This goes beyond mere fat-phobia into an analysis of appearance in music and theater that is depressing.

If the saying “It ain’t over ’till the fat lady sings” were to held to its truth, it would likely mean the death knell for opera.  As with everything else there are exceptions to the rule, those whose amazing voices transcend the benchmark.  Still,  even those exceptions are growing smaller and smaller and not just in size.

It’s sad, but unfortunately true. Opera used to be solely about the singing.  Now not only must the singers have the most amazing voices for the parts, they now must have the looks to go with them and therein lies the rub. There was ad campaign which queried  “What is sexy”.   And let’s face it, in this climate, the de rigueur definition of  sexy = skinny.

The beloved image fat, horned-helmet Valkyrie, belting out Wagner, pretty much synonymous with opera, will eventually be as obsolete as the Beta-max.  There are such amazing singers out there whose voices  may never be heard because of this downsizing and we will never know our loss.

Contented

.
.
Sun
Dappled
Shimmering
Full of promise
With daylight dawning

Tears
Are done
I know this
Down to my core
As I stretch yawning

So
I rise
Contented
Feel my soul smile
In this new morning

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Welcome to the Arun.

A nonce poem created by friend and fellow blogger, GirlGriot. An Arun is a fifteen-line poem in three sets of five lines. Each set of five lines follows the same syllable structure: starting with one syllable and increasing by one syllable with each line. 1/2/3/4/5 — 3x. There are no other rhyme or structural requirements.  Though all of hers, so far, were left aligned and not rhymed, I took a little poetic license here.

dVerse  Poets Pub | OpenLinkNight Week 113

Welcome

.
.
Traded as payment for overdue wage
She knows, though it’s gilded, it’s still a cage
She’s yet to see sun
Shipped from place to place, displayed on a stage
To those whose tastes prefer ones underage
For sick sense of fun

She’s told back home no one’s missed her absence
She does not believe in their evidence
But bows to their might
Forced to do things against her conscience
Knowing what they do to those called nuisance
Flees into the night

Thunder rolls, storm clouds brew:
It was the sound of His measure of her trouble
It was the sound of His dread for her plight

Bloodied to a near pulp from being beat
In deepest fear of the oncoming feet
It was much too near
Oblivious to the filthy concrete
She lays prostrate in the dark on the street
It’s all she can hear

Brought to this new land for a tidy sum
From a land she never asked to leave from
She was their plaything
Smelling of cocaine, and cheap stale rum
She lays there waiting for death to come
She hears them calling

Lightning strikes, raindrops pelt:
It was the sound as His anger mounts
It was the sound of His tears falling

Glass grinds into her already raw shin
The pain raises a moan from deep within
They hear her outcry
A tear is slowly sliding down her chin
As they plunder through her most tender skin
Knives do not ask why

As each breath she takes become more shallow
Smiling, she knows she won’t see tomorrow
Her end has begun
She’s raised from the filth in which she wallows
A shining light eases her deep sorrow
At last she sees sun

Dew drops, Sun rises:
It was the sound as His arms open
It was the sound of His words of welcome

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dVerse ~ Poets Pub | OpenLinkNight : Week 93

Happy Birthday Willie Shakes

Just this morning I quoted “all the world’s a stage” to a friend. A discussion ensued which wound up with us using Google to prove I was right in that the line was from “As You Like It” and not from “Love’s Labour Lost”. That in turn became a discussion of just how Shakespeare’s words have infiltrated our lives.

Few of us get through the education system without gleaning some basic knowledge of the man, well at least a couple of his works. Even if one cannot quote any other line from say, Hamlet; even if one does not know the name of the tragedy itself, one is still familiar with “…to be or not to be…”  I still remember the magical moment in fourth grade upon realizing wherefore actually meant why and how that one little thing completely changed the context of “…wherefore art thou Romeo?”. It taught me to always look deeper than the words on the page, because as Led Zeppelin perfectly states ’cause you know sometimes words have two meanings. Still, thanks to my southern upbringing, I knew what being “a sorry sight” meant long before I ever heard the name William Shakespeare and was destined to enjoy more of his magical verbiage.

Think about it. Most of his words which we quote without thought, were written for plays – for mere entertainment. Think about how so much of it has transcended from Elizabethan times to now, without one iota of loss in their overall meanings. Talk about staying power! Many of us remember little of what we’re taught regarding the actual history of those times. Well, little of history in general, to be honest. Yet all of us quote him more than we can ever imagine, even if we do not realize the words are his.

I’ll quote someone else for a moment and paraphrase Edward Bulwer-Lytton: the might of the pen, indeed!

In the midst of the above mentioned Google search I also discovered today, April 23rd, is William Shakespeare’s birthday.

Willie Shakes, as I quite tongue-in-cheekily like to refer to the Bard, would be 449 years old. In honor of the man who likely has had the biggest influence on many of the colloquialisms that continue to spice our language I post the following:

Shakespeare Words

* click to see full size *

Happy 449th Birthday William Shakespeare!!

“To me, fair friend, you never can be old”
— Shakespeare Sonnet 104
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Slice of Life graphic

Slice of Life Weekly Writing Challenge – April 23, 2013

Bar Fly

It’s a late afternoon in spring, the an almost perfect New York City day, at least weather wise. Sunny, with a couple of cotton candy clouds to show just how deep the cerulean of the sky. Mid 60 degrees as a daytime high, a hint of chill in the air to have need a blazer or light jacket/sweater once the sun set. It was just after 6pm and technically evening, but the sun still owned the sky too much to concede to the imminent call of night yet. As people walk in they are momentarily blinded by the sudden dimness and blink slowly scanning the place as their eyes adjust.

A wall of two-seater dimly lit booths line one side of the wall giving off sense of intimacy that doesn’t truly exist. Not that it stopped one couple whose drinks and libido are getting the best of them. The better lighting is over the various sized wooden tables which crowd the center of the floor and a long oak monstrosity engulfs the far side of the bar. The bar itself with its intricate carved rail was worn dark and smooth at the top over the decades. A mirrored wall reflecting the myriad colored libations of various proofs available for consumption. Though a nice modern touch screen computer reigned next to it doing all the work, a huge old-fashioned brass cash register took center stage along the mirrored wall. Even in the relative dimness in general its tall columns, high arches for the numbers and keys were regularly polished until they gleamed. The décor which changed styles along with the owners over the years was now some half faded New England shore house meets Mexican hacienda hybrid with its aqua and teal hued canoes suspended from the ceiling, and sea colored striped serapes served as pseudo tapestry with the occasional seascape painting dotting the walls. Each booth and table had various centerpieces of miniature cacti with sand and seashells. It looked like Poncho Villa cum Martha Stewart. Did she sell sea shells on the Cancun sea-shore?

Three men are huddled in a group, slowly shrugging out of their uniform of expensive looking suits and polished shoes. One in a charcoal gray pin-stripe, has his royal purple tie loosened at the neck, the shirt sleeves of his stark-white on white striped shirt rolled-up to the elbows. A hint of dragon scales peek out from the half-sleeve tattoo. From the snatches of financial jargon I’m getting from their conversation I’d guess their all day-traders, making me wonder if he ever rolls his sleeves up in the office. He straddles his chair; the material of his slacks, move along the musculature of his solid legs. Argyle socks in purple and grays to match the rest are bunching around his ankles. The sloppiness of the socks are an almost welcome surprise after the clearly practiced orderliness of the rest of his attire. The little bit of calf showing indicates a light hirsuteness. It is confirmed by the dark tufts just peeking out above the neck of the undershirt worn under his shirt and on his lower arms casually drape over the back of the chair. In one hand he holds his beer bottle between his index and middle fingers, using his thumb for balance only when swinging it up to swig in some movie fed imitation of cool. The runs the other hand through already perfectly tousled hair. You just know he wants to shake it out, but restrains himself. His hair is dark, I bet he has a five o’clock shadow by noon. It was past midnight according to the shadows along his jaw now. The matching dark brows contrasted greatly with his light eyes. The irises were so light they reminded me of the zeroes used for eyes in the Little Orphan Annie cartoon strip. He was not conventionally handsome, but he had a certain something, he knew it and was clearly using it as he checked the females at a table in his line of vision.

The females are mostly artsy types wearing the stock in trade professional solid dark-colored slacks or skirts with vivid colored shoes or blouse, or some wildly patterned accessory. One goes even more bold with her vibrant necklace and boxy bangles, more than likely added on after five o’clock. Just adding that little extra pop of wow to prove they still have some bohemian left in them and have not totally sold their artistic souls to the corporate man. As Daytrader sidled up to one, she chats him up, but it’s pretty easy to see she’s only doing so to kill time, and is already eying the door for a potentially better option. After a few moments she’s clearly bored and returns to talking to her friends, giving Daytrader no choice but to return to his.

The place is animated, borderline loud, and all but reeks of the underlying facade of having a grand life. For most, this bar is just a diversion between work, loneliness and the inevitable weekly visit to the psychiatrist.

In other words, your average crowd, in your average bar, at your average after work happy hour.

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The Daily Post – Weekly Writing Challenge: Person, Place, Thing

Boston

In all honesty, I really don’t know what to say, yet I feel I must say something…

The bombings happened moments after I left work for the day. I was underground waiting for a train when the first one went off. I knew nothing until my train rose above ground and my phone, along with several others, went crazy with the influx of activity. There is a certain amount of activity that happens on a normal day and then there is the activity when something major happens. As a social media person I can almost sense when it’s something bad before I pull out my phone to check. And when other cellphones were also going berserk, I knew I would not like it.

I have several friends and people I consider family who live if not necessarily in Boston proper, close enough that it gave me pause. Especially on a day like yesterday any where number of them could have been near, if not actively watching the marathon. I immediately checked Twitter and Facebook and had most of my initial worries quickly assuaged that they were safe. Others I had to text or email later on to check on them, but all my not-so-near and dear were accounted for. That left me with just the news and there was a ton of that.

I have been to Boston several times, almost all for party occasions, so my view of the City as a whole is a favorable one. It’s a backdrop to many really good memories for me. I’ve walked along Boylston Street where the explosions occurred, so it was a gut punch the first time I watched footage and recognized it. Broadcast news mostly repeated the same footage of the explosions itself. The internet, as always had them, beat. What struck me most is the one thing that can always be counted on when such events occur. Yes, we expect the police, the emergency service, Fire Departments and other first responders to be there and assist. That is their jobs to run toward the danger when nearly everyone else is running from it, and thank God / God bless them for it.

No, I am referring to The Unintentional Heroes.

The everyday men and women who did not run away, but ran to and stayed to help the hurt and injured until the professionals could take over and sometimes stayed to help again elsewhere afterward. Yes, the images that are going to be the defining ones of this are the images of Carlos Arredondo, the man in the cowboy hat. Like so many others, he immediately jumped into the fray at the site of the first blast to assist. He came upon Mr. Bauman (no first name currently given), who had just lost his legs in the attack. No one, who has seen the instantly iconic photo, is going to quickly forget the image of Arredondo running along side the wheelchair carrying Bauman, pinching a major artery from what remained of Bauman’s leg to keep it from bleeding out as he and two other first responders race to help. Yes, Arredondo’s particular act of heroism should be duly noted as it should and will continue to be.

Still, let it not take anything away from the many acts of heroism, big and small, in the immediate aftermath of the bombings, for every act was truly heroic to the persons being assisted by these John and Jane Q. Publics, many of whom whose names will never be known. All we will ever of them are the various images posted in slide shows from various news sources such as The Huffington Post, The New York Times and of course The Boston Globe.

I guarantee as they all stood celebrating the marathon, did not ask their fellow onlookers about their politics. I guarantee those who ran to help once the bombs went off did not ask the victims about religion. All of it, all of it, is proof positive that we can put all the differences down to celebrate and work together, when it counts.

If only we could hold on to that and make it count everyday, not just special circumstances.

Boston, it’s going to rock you for a bit, we New Yorkers know and understand how that goes. Just remember, the spirit of what made us break ranks and create our own nation over two hundred and thirty years ago still runs through your veins. Trust, you got this.

Verbal Diarrhea Diaries: Hey Mami

Verbal Diarrhea Diaries

(aka the shit that comes out of my mouth).

On being addressed as a female progenitor by people, other than the two I actually gave birth to, one time too many:

Him: Hey Mami

Me (annoyed): I am not your mother!

Him (surprised): But it’s just a term of endearment.

Me (eyes rolling): You just laid eyes on me for the first time in your life. I have yet to become an endearment for you to have a term to. It’s rude and an insult to all the women who are mothers, who have put in the work and earned the title.

Him (fishing): Maybe it just means on first sight I think you’ve got what it takes to love and take care of me.

Me (incredulously): Really?

Him (thinking he gained a point): Yeah.

Me (evil smile): So on first sight you think I’ve got what it takes…?

Him (cocky): Yeah.  To cook, clean and  all that good stuff, like a mother would.

Me (trying not to be mean, but failing):  And occasionally whip your ass?

Him (back peddling): No, that’s not what I meant, I…

Me (totally nonplussed at his ignorance by now): And is there’s some Oedipal history I should be aware of?

Him (clueless): What kind of history…?

Me (in full on evil mode): newsflash boy, because most men know better, when it comes to the majority of females you meet on the street addressing us by the title of the first woman whose vagina you came sliding out of, is not considered a compliment to the woman whose vagina you’re trying to slide into. Good-bye.

Want to guess what term of endearment was heard as I walked away? Hint: It rhymes with mucking witch.

Me (not even bothering to turn around): Thank you!
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Slice of Life graphic

Slice of Life Weekly Writing Challenge – April 16, 2013

The Quiet Before

 

She sits in the window seat and sighs
wondering what malarkey would have
such cool gray shades of the overcast day
dull the warm hues that should be autumn
Her front lawn only a sliver off
the near gaudy emerald of summer
was still a vibrant green

A spring green she thinks

Spring when everything begins
with summer’s long stemmed promises
only to fall — the beginning of the end
an early trespass to winter

Nor does the contrast
of the blood red dianthus
against the bright white
of Queen Anne’s Lace escape her

Now past their prime
their wilted blooms too heavy
for their aged jade stems
like an unhanded puppet
leaned over in resolute defeat
to the inevitable

She reaches out in comfort
She reaches out for comfort
to the hands and the heavy heart
that shares all she feels now
as the back the door opens

The only pleasantry being the smile
that quickly departs his face
as wife and mistress turn to him
fingers interlaced, hearts ripped open
Fate catching them as off guard
as they have caught him now

In the quiet before…

 

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