Two Sides

All day and night
I want of you – I
Want so deeply that “want”
Is too trite a word – this
To me, my very breath – is to
Be in this love – to be
Yours and yours only
Forever and a day

What you ask of me, I ignore it all
Yes, I submit easily, but I
Don’t want what you want
This moment is all there is
This is all I want – to
Have you now – to be
Yours and only yours
But only for tonight


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dVerse ~ Poets Pub | Poetics: For the love of puzzles . . .

Lillian is hosting Tuesday Poetics at dVerse Poets Pub where she shares her love of how one word leads to another in crossword puzzles and their cousins in style: Acrostic Poetry.

In Word Acrostic poetry the first word or the last word of each line in a single stanza poem spells out a message.

Lillian has created an Acrostic Plus where the first letter of each line in the first stanza spells out one or more words, while the last letter of each line in the next stanza spells out something different, and so on, but together there is one message.

We’re challenged to either write a poem that in some way relates to a puzzle, includes the word “puzzle”; or try our hand at an Acrostic poem. I combine a Word Acrostic with Lillian’s Acrostic Plus to tell a familiar tale of Mars and Venus,

And I Wake In The Morn

And I wake in the morn

In your arms

Your heart under head

Its beat in my ear

Sounds that lulled me true

Then woke me anew

Among decades and scores that pass

The sounds are now quiet

And I wake in the mourn


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dVerse Poets Pub | Quadrille #134: We {heart} poems

De Jackson, aka WhimsyGizmo, lets us have a little heart-to-heart in the form of a quadrille.

The Quadrille poem must be exactly 44 words in length – not including the title and use this week’s prompt word heart.


No More

Once cast aside in a dusty mire
You cleaned and placed it by the fire
To take it to a purpose higher
My heart’s desire, My heart’s desire

The iffy thought now deemed revere
An ideate I have no fear
Its impish voice whispers so clear
Within my ear; within my ear

The blade left there for me to see
The flames illume its true decree
You know that I won’t let it be
It calls to me; it calls to me

From thought to act it came to be
The one swiftly incised is me
Drenched within the scarlet spree
I smile with glee; I smile with glee

I take purchase upon the floor
And leave a gift you can’t ignore
You’ll find me smiling by the door
But I’m no more, no, I’m no more


This went unexpectedly dark. Among the Muse it is usually Calliope and Erato who have my ear, but this time it was Melpomene who called loudest.

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dVerse Poets Pub | Poetry Form: Monotetra
Grace tends the bar and challenges us to write a Monotetra.

The monotetra, a poetic form created by Michael Walker, must be written in tetrameter, either iambic or trochaic, approximately 8 syllables per line. Each stanza is a quatrain (four lines), that is monorhymed. The fourth line of each stanza must be a dimeter, or 4-syllable phrase, that is repeat twice.

The stanza structure:

Line 1: 8 syllables; A1
Line 2: 8 syllables; A2
Line 3: 8 syllables; A3
Line 4: 4 syllables, repeated; A4, A4

This poem can be as short as 1 or 2 quatrains and as long as a poet wishes.

The Cause

Image of man crying in sepia tone

I had watched
In waning sunlight
How it reflected
In soft contours
As one sun
Became another
And yet another
That set
In each watery stream
Until in darkness
I walk away
Too cowardly to admit
That I
Am the cause
Of those tears

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dVerse Poets Pub | Quadrille #132: Your Poem Theme: Stream

At dVerse, De Jackson, aka WhimsyGizmo, hosts bar for Quadrille Monday, where we are challenged to pen a poem of precisely 44 words (not counting the title), that must include the weekly word prompt. This weeks prompt: Stream

There

There in the shadows of the night
There within the glow of city lights
There are many things that can affright
There are just as many that excite

There, a riot is about to ignite
There in the shadows of the night
There, helicopters with floodlights
There, to televise the blight

There, someone chooses wrong over right
There, someone catches the wrong person’s sight
There in the shadows of the night
There, pray battles prey come stroke of midnight

There, under a sky dark and finite
There, where the moon is the only light
There, secret lovers meet to unite
There in the shadows of the night


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dVerse Poets Pub Tenth Anniversary |
Meet the bar with Chant poetry

Tonight as we continue to celebrate the Tenth Anniversary here at dVerse Poets Pub, Björn prompts us to use our voices in a chant.

Here in a mix of a-starting with the same word as opening rhyme and b- closing each line in a tight monorhyme, I also revisit the Quartern form for an assist.


In Flagrante Delicto

Secret lovers

Whispering
Sweet nothings

That scream
Bitter everything
To wound the one
Who bears witness
To now erstwhile secret

For no armor can protect
The heart wound in love
From the cruelty
Of that which it loves

But loves it not in return


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dVerse Poets Pub | Quadrille #128: What’s in a word?

At dVerse, Lillian tends bar and wants to know What’s in a word? And what’s the word for this challenge: wound. She makes our Quadrille poem a bit tougher by challenging us to include the word twice – using both meanings / pronunciations of the homographic pair.

Whether we use the word once or twice in the body of the poem, the poem must be exactly 44 words in length – not including the title.

Self

I remember a time when
Someone like I
Would never consider
Myself being worth anything, let alone everything
Funny how life can change a thing like that
As my self-worth, my self-care and love of self grows


National Poetry Month for 2021 Day 30

First time ever completing thirty whole days of original poetry – YAY!🎊

I end National Poetry Month, keeping it short and simple, with my first Golden Shovel poem using the opening line of Sonnet 15 by William Shakespeare

The Golden Shovel form was created by Terrance Hayes in tribute to Gwendolyn Brooks. The rules are simple:

  • Take a line (or lines) from a poem you admire.
  • Use each word in the line (or lines) as the end word for each line in your poem.
  • If you take a single line with six words, your poem would be six lines long. If you take two lines and the first line has 19 words, and the next has 13 words your poem would be 32 lines long in total and so on…
  • Keep the end words in order of the original poem.
  • The new poem does not have to be about the same subject as the poem that offers the end words.
  • Give credit to the poet who originally wrote the line (or lines).

Could Not Conceive Such

Tears flow with delight
Forgiven are the pains of labor
From the tender life so sweet
Of the new born in her arms
A baby she never thought
One like her would ever greet

~ Because they could not conceive such ~

A time in which the sunlight
He used to once savor
Would ever be forgotten
Living for centuries with such qualms
A creature of the dark sought
The warm rays of dawn now verboten


dVerse Poets Pub | Poetics: Build a Bridge

Tonight at dVerse Merrill asks us to build a bridge of sorts with the Puente form or to write a poem about bridges.

The Puente

In a Puente (Spanish for bridge), the first and third stanzas must have the same number of lines, but there is no set number of lines, as long as the two stanzas match. They can be rhymed or unrhymed. The bridge line is one single line connecting the first and third stanzas. The last line of the first stanza and the bridge line are a couplet, and the bridge line and the first line of the third stanza are a couplet. The bridge line then often connects stanzas written from different points of view or about different ideas.
It sounds more complicated than it is, but it really is not. Two stanzas with a middle line that connects them.

I bridge rhyming Puente of a woman celebrating the birth of her newborn with a vampire longing for the dawn.

National Poetry Month for 2021 Day 28

Some Shade of Blue

I would need some time, to give it its due,
It’s a daunting thing you ask of me.
The seas are more than just some shade of blue

Oh, how would I render such a vibrant hue,
When seas reach the shore at dawn? At three?
I’d need some time, to give it its due.

In colors cleaved only with God’s imbue, 
This palette of mine must try to decree.
The seas are more than just some shade of blue.

There are whitecapped curls of waves to construe 
As they crash against the rocks prettily.
I’d need some time, to give it its due.

Certainly more time than you’d think it’s true. 
Shades vaster than the horizons to see.
Yes, I’d need some time, to give it it’s due.
The seas are more than just some shade of blue.


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dVerse Poets Pub | Open Link Night

dVerse Poets Pub | Open Link Night

Today Lillian remodels as she tends the bar for Open Link Night at dVerse Poets.

Open Link Night where there are no prompts. Everyone can post ONE poem of their choosing. No particular format, topic, etc.. Post the poem you want.

Tonight I offer a Villanelle

His Aura

A young heart, a soul of ancient Torah
Strength to the power that is his aura

The slings and arrows of life untamed
Just slide from the plating of his aura

When my soul’s shards were jumbled about
Calm was found in the peace of his aura

Emotions tailored skin with cutlery
Vanish in the healing of his aura

He is candlelight in the deepest dark
It is the harmony of his aura

Those who turned the page to my new peace
Know the benevolence of his aura

And when asked what factor gives him his peace
States it’s a Raivenne, that is his aura


National Poetry Month for 2021 Day 24 I’m trying a Ghazal

Ghazal is a collection of two-line poems or couplets which follow six rules.

First – Each verse or couplet should be readable as an independent poem, which do not have to rely on the other verses, though the full ghazal has a theme – traditionally romantic or spiritual love and longing.

Second – Each line of the couplets must have the same meter. All the lines in one ghazal must have the same meter.

Third – All of the couplet verses must end with the same refrain, which could be a word or a phrase.

Fourth – The words before the refrain phrase must rhyme.

Fifth – The beginning couplet must repeat the refrain word or phrase in both lines.

Sixth – The final couplet must reference the poet’s name, or alias and sometimes a derivation of the meaning of the poet’s name. This was a traditional way for the poet to sign, or to affix his or her mark upon the work