Verbal Diarrhea Diaries: Hung Up

Oh dear me!

As I am walking out the ladies room, a colleague is walking out of the adjacent men’s room. My earring chose that moment to drop  from my ear and we both bent to retrieve it. As we rose I observed that he needed to “XYZ” and whispered such to him.  He was so embarrassed as all get out that he full body slammed into the men’s room door when he spun around to run back in and adjust the issue. Unfortunately, that only made things worse as he bounced off the door causing more of an issue. Guess who now knows that said colleague a) clearly is commando today and b) is hung.

I somehow kept a straight face as I quickly turned to walk away and nearly walked into another co-worker a couple of steps away. By the expression on her face I knew she saw…

“Was that his…?”
“Yup!”
“Really?”
“Yuuuup!”
“Holy….!”
“Hamm as in Jon?”

The same male colleague exits the men’s room again, everything now in its proper place this time. He sees us standing there, clearly knowing what’s being discussed and all but runs down the corridor to get away.

My co-worker nods, still clearly impressed by the glimpse she saw earlier. Then looks at me rolling her eyes at the bad Jon Hamm joke reference. “That’s so cheesy, you can do better than that.”

“Perhaps” I nod grinning, “but now I think I want croque monsieur for lunch.”

<>==========<>==========<>

Let see how others are slicing stories up at Two Writing Teachers

Slice of Life - Two Writing Teachers

 

 

 

 

 

 

 

 

 

Two Writing Teachers : Weekly Slice of Life Writing Challenge

Because She Knows

.
.
Because she knows the end is near
No, things weren’t quite as they appear
She’s forced to face her own worse fear
Proof that he holds another dear

Her world, now turned upon its ear
Because she knows the end is near
A love that had no other peer
Has turned to one that can’t adhere

The pain she feels is so severe
She may lose all held in revere
Because she knows the end is near
She starts to get herself in gear

Her actions now become quite clear
Protect what’s left, which she holds dear
She wipes away her final tear
Because she knows the end is near

<>==========<>==========<>

Having another turn with the Quartern.

National Poetry Month 2014 – 8

I Offer

.
.
I offer unto you these hands

Their hold is strong, but never tight

I offer unto you these arms

To keep you close both day and night

I offer unto you this heart

The broken shards that you made whole

I offer unto you this grace

That you complete body and soul

And all I ask of you is this;

To answer ‘Yes’ with one sweet kiss

<>==========<>==========<>
National Poetry Month – 2014-4

Breaking the rules using a rhyming Sonnetina Uno while Meeting the Bar at dVerse.

dVerse ~ Poets Pub | MeetingTheBar– Emotion in poetry

Perfect Stranger

I do love her still, for she’s still mother
Though oft she calls me by names of others
Her soft eyes remain, shining warm with care
The curves of her body, her graying hair
But her mind now slides from what’s really there

Her concave lips form that familiar smile
Like when she showed off her latest hairstyle
Even with loose curls each strand was in place
Particular to the point of basket case
Never walked out the door without her face

Made a clean home look easy to attain
My haphazard ways were always her bane
It gave her license for years to nitpick
My style she joked was an urban beatnik
But she loves my roast chicken with garlic

Her home now’s not what I thought would occur
But she’d gone beyond my means to help her
After jumping with haste to a rescue
When she tried to melt wax for a fondue
Insists utensils could be eaten too

She’s no longer the mother that I knew
Some days it takes all just to muddle through
I look at her and it’s my face I see
So it’s twice as hard when she looks straight at me,
And then asks ‘And who are you sweetie?’

That I remind her of her little girl
Who fidgets wearing pinafore and curls
She’s the woman that once knew me so well
But if she knows me at all now I can’t tell
Yet I know her deeply, and that’s my hell

Roles reversed, she’s the one whose hair I comb
When I visit her at the nursing home
“See this pin my girl gave me yesterday?”
I was a child, it’s so old in years even I cannot say
But for her, the years time has washed away

Seeing the pin makes me break down in tears
She coos “Oh miss, it can’t be that bad dear”
I fall in the familiar arms of hers
As everything becomes just one big blur
And I cry upon a perfect stranger

Pictures Taken

.
.
Such silly smiles that split the planes of our faces
Vacations have a way of doing that
Pictures taken visiting places
So happy anywhere we’re at
Dressed in our Formal Night styles
Now looking over these
Staring at our smiles
I’m on my knees
Tell me why
I cry

<>==========<>==========<>

I recently came across some images of my late-husband and I on our very first cruise together. It was a bittersweet discovery to say the least.

I haven’t done a form in a while and what better way to kick off National Poetry Writing Month? This form is called Emotive Ten.

Emotive Ten (nonce form)

An Emotive Ten describes some form of emotion and has ten lines, the only restrictions is that it is syllable based.  It starts with twelve syllables and throughout the poem working its way down to two; it should describe usually an emotion in paradox, i.e. life to death, loneliness to love, light to dark etc.

If rhyme is used it must go with the syllable count in numbers and rhyme in letters:

12A, 10B, 9A, 8B, 7C, 6D, 5C, 4D, 3E, 2E

An alternate rhyming suggestion is a/a/b/b/c/c etc. The form can also be done in reverse, still ten lines, but starting out with two syllables and ending with twelve.

No Arguments Here

This morning I’m standing in line at one of my usual breakfast places. That there is a long line, long by my standards as a regular, tells me someone came in with a large order that is slowing down the usually quick and efficient process of the line cooks. It happens sometimes, you deal with it or you walk away. I was contemplating between the two options when one of the line cooks spies me at the back of the line and smiles. He holds up one finger, then two fingers, his head cocked to the side in an unspoken query. I smile back, wave and then nod, holding up one finger. In this particular restaurant they have two things I like to order for breakfast. Isidori, the second line cook, is silently asking if I want my breakfast sandwich (#1) or my omelette platter (#2). Thus, I just as silently respond yes, I would like the sandwich. He smiles and indicates with his head to go ahead to the cashier.

Ah, the sweet perks of being an engaging regular! I am spoiled sometimes.

I blow a kiss to him in gratitude and go to pay for my meal. I stand adjacent to a woman who is ticking off the various items ordered to Cristina, the cashier, making sure they have everything. Now I know who had the big order. Cristina asks about the size of a coffee ordered and the woman calls out to someone on different line.

“Margie! What size you want your hazelnut coffee again?”

Now, saying she was loud, really does not do it justice. Seriously, I felt my ears pop as though I were in a rapidly moving elevator. At least six different people in my line of vision reacted to the decibel level of her voice by turning their collective heads either towards or away from her and vocalizing some form of exclamation and/or expletive, including my leaning away from her with “Well damn!”

As the nearest person to her, I received the venom of her stare.

“Please! I weren’t that loud.”

I mentally bit my lip resisting the urge to inform her folks on the other side of the International Date Line, where it is the middle of the night, are likely waking up wondering why they are thinking about hazelnut coffee. Luckily, she was spared my snark when her friend came over and settled it.

“Yeah, you were. What the hell wrong with you screaming like that?”

She glances around at various raised eyebrow/“you crazy”/WTF reactions to her. You can all, but hear the “Whatever!” going through her mind.

“Raivenne, here’s your breakfast honey.” Isidori and Cristina in their usual efficiency already have my food cooked, coffee poured and items bagged.

“Thanks Cristina, here you go.” In my usual efficiency have my credit and restaurant discount card at the ready as I walk around the two women and pay for my breakfast.

“Have a nice day,” Cristina hands me my cards and my bagged order. “See you tomorrow?”

“Thanks, maybe. Enjoy your day.” I take my items and start turning to leave.

“Wait, I was in front of her, how she go first?” Ms. Decibel wants to know. At least her voice has returned to a volume more acceptable for human conversation.

Cristina looks at her in confusion, clearly not understanding her question.

“Because she’s Raivenne…” she states as though it should be obvious.

I smirk and walk away, who am I to argue with such infallible logic?

<>==========<>==========<>

It’s Tuesday – come see how others are slicing it up today at Two Writing Teachers:

Slice of Life graphic

Slice of Life Story Challenge – Two Writing Teachers