Flash Back Friday: 3-19 “The Life”

This Flash Back Friday where I revisit and share a post from the past on this day brings us to a poem I originally penned in 2013, “The Life”. It was written using the glosa poetry form where you take a stanza from another poet and use their lines to create a poem of your own. [There is a little more to it and you can read the rules here if interested: how to write a Glosa.] It is one of my favorite forms to use as I enjoy creating works that go in a different path from the source material.

My poem was based from the opening verse of the song “Moon Over Bourbon Street“, by Gordon Sumner. If the title seems familiar to some, but not the author’s name; it is because most of the world knows him by his stage name: Sting. Yes, that Sting, as in Sting and The Police.


There’s a moon over Bourbon Street tonight
I see faces as they pass beneath the pale lamplight
I’ve no choice but to follow that call
The bright lights, the people, and the moon and all

Gordon Sumner (Sting) / Moon Over Bourbon Street

Everyone seems to be in easy mode
The corner’s quiet on this autumn’s eve
Despite the first cuts of winter’s cold
It’s happy smiles folks give and receive
Setting a mood that makes me bold
And my protector has me in his sight
On the off chance all is not as should be
And he may have to come rescue me
But I know everything’s going to be all right
There’s a moon over Bourbon Street tonight

Casting a cool light on this patch of street
I start to flirt with some and have my say
But walking in the sun is a different deceit
The base rules change in the light of day
I’m not acknowledged by all whom I meet
I know they know who I am, as they nod so polite
Those men pretending they don’t know my name
And the wives who avert their head just the same
Knowing their husbands are just faces in my night
I see faces as they pass beneath the pale lamplight

Yes, I’m paid for the need of my company
And more often than not, paid quite well
I aim to please after all you see
But I remember when things weren’t so swell
At the beginning of this life for me
Like babies, before I could run, I had to crawl
Now I choose just how my night is spent
But the truth of lies lay evident
When my pockets hold no cash at all
I’ve no choice but to follow that call

For all the company I have I am still alone
And I watch time shorten the length of my employ
I was young when I started and now I’m grown
I slowly prepare for when I’m past giving joy
But tonight, tonight my love’s my own
On nights like this I’m standing ten feet tall
Pretending I’m just like any other in the park
Out on the town for another evening’s lark
Just another guy walking in the leaves of fall
The bright lights, the people, and the moon and all


The story goes that the inspiration for the song was reading Interview with a Vampire by Anne Rice. However, it was the haunting visual of a person walking alone at night under street lamps in the lyrics that took flight in my mind. This above poem was the result. No vampires in this night.

In yesterday’s slice I briefly mentioned how my being a little cheeky while on the phone is what made me memorable and saved me some grief when getting my first vaccination dose. When the guy I spoke to on the phone saw me in person, his expression was one I’ve seen often. The quickly hidden surprise that the intelligent and funny woman on the phone is one with purple hair, who wore a Sherlock Holmes tee-shirt, jeans and rainbow mandala printed combat boots, also had a melanin enriched complexion. While the back-handed assumption it conveys annoys me, I am also always amused at shaking that assumption on their part.

It made me happy to discover this particular piece is what came up as my Flashback Friday as it also shook an assumption. I remember the first time I posted this, I had taken a couple of the readers by surprise with the second to the last line. One reader admitted to having his preconceived stereotype of the storyteller’s gender ‘jolted’. I liked that. Did I catch you off guard with that reveal as well?

Slice of Life logo

Slice of Life Writing Challenge
Two Writing Teachers

GPS

Squiggles on a screen/in the dark night

time the path of my travel/there lays a stillness between

lines that do not take/the distance of us

into account the beating/that is guiding the silence

of my warm heart already there/at home so close yet so far

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Having another go at a (Super) Tanka

Colleen’s 2020 Weekly #Tanka Tuesday
#Poetry Challenge No. 192, #Themeprompt : Map

Tanka Tuesday Poetry Challenge

A Quiet Moment Passing

The
Blue skies and
Warm colors belie
The first hint of autumn days.
Pause.

Stop.
Acquire
A quiet moment.
Life encourages this soft
Path.

Time
Will again
Invoke its magic.
Next dash of eternity –
Poof!

Smile.
Wallow in
A chance to marvel
The ebb and flow of breeze; be
Touched.

Give
This its due
What will be – will be
Change is the only constant,
Breathe.

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Today’s form is a Crown Oddquain

Tonight Linda tends bar at dVerse where on this day 58 years ago The Rolling Stones released “(I Can’t Get No) Satisfaction” and tonight happens to be Open Link Night.

dVerse Poets Pub| Open Link Night : On This Day

dVerse Poets Pub - OpenLinkNight Mic

Garden Tableau

In the early hours
As the dawn does rise
Rain had fallen deep
As I lay in sleep
And soaked the dark earth  

Awake now I breathe
The petrichor scent
Deep in the city
A moment of Zen
My window garden
Belies urban sprawl

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dVerse Poets Pub | Quadrille: How Does Your Garden Grow?

At dVerse Victoria wants to know about our gardens in a quadrille.

A Quadrille is a poem of exactly 44 words not including the title. The poem must contain the prompt word for the challenge: Garden.

And because Muse likes to combine challenges I wrapped the Quadrille in a Tableau. (Or is that wrapped the Tableau in a Quadrille? You decide.)

Mindlovemisery’s Menagerie| Saturday Mix – Lucky Dip, 8 August 2020

For this week’s Lucky Dip, the mystery bag gives us a Tableau. 

The Tableau, a poetry form created by Emily Romano in October of 2008, consists of one or more verses, each having six lines. Each line should have five beats. There is no set rhyme scheme, although rhyme may be present. The title should contain the word tableau.

Welcome Tableau

I with heart of night
Now reach for the sun
With revered delight
Oh, sweet baby girl
This is what you’ve done
Welcome to the world  

Baby you’re the best
It is not bias
This I can attest
Oh, sweet baby girl
My love most pious
Welcome to the world  

My soul you’ve laid bare
And redefined love
All I have I share
Oh, sweet baby girl
Stuff dreams are made of
Welcome to the world

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Double dipping with two challenges this weekend:

Mindlovemisery’s Menagerie: Music Challenge
Nobody Does It Better Week 85

Mindlovemisery’s Menagerie: Saturday Mix
Lucky Dip, 8 August 2020 – The Tableau

Empty Tableau

I am not happy
I am not angry
Nothing here to share
In this lethargy
Abject apathy
Cannot seem to care

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Mindlovemisery’s Menagerie| Saturday Mix – Lucky Dip, 8 August 2020

For this week’s Lucky Dip, the mystery bag gives us a Tableau. 

The Tableau, a poetry form created by Emily Romano in October of 2008, consists of one or more verses, each having six lines. Each line should have five beats. There is no set rhyme scheme, although rhyme may be present. The title should contain the word tableau.

One dictionary states the word tableau means picture or representation; the poem should reflect this. A picture should come to mind as the poem is read.

Muse challenges with the representation of nothingness. Nothing to see here, but you can picture it.

The Final Bow

Just once more, he begged and pleaded to her
A hello and farewell tour as it were
She scoffs it’s the silliest thing she’s heard
And besides she’s now much too old a bird
For what purpose could there possibly be
To take on the burden of one like she
 
To argue money came quickly and went
Her career had made her quite affluent
Nor could he argue for awards or fame
Not with world-wide accolades in her name
Just one more stand in the glow of limelight
Doing the craft that has been her delight
 
Ten years had passed since she last graced a screen
And Broadway? Well that was a near fifteen
It goes back and forth for a little while
But he knows she’s in once he sees the smile
That smiles that stops men even as jaded as he
It was hard not to rub his hands with glee
 
Some thought she turned a new leaf in life
She brought none of the old dramas or strife
A junior diva tested this new meek
And learned from the curb that sweet is not weak
And not a step was missed as she rehearsed
Her new elegance shined as others cursed
 
The nocturne really tested her voice
Her body tired but she had no choice
Once her fire’s lit she’s in for the fight
And she was just fine come opening night
She trusted her nerves would not let her sway
As a full house harkens each word she says
 
When that solo light shines, she feels such bliss
And knows nothing, nothing will equal this
The applause thunders as the curtain falls
And she waits for the first of curtain calls
A bouquet of taffy and red roses
Greets her as she rises from her poses
 
She laughs at the joke, both ancient and sage
And waves at the giver just left of stage
Exhausted but grateful she has this chance
To act, to sing and yes a little dance
As the light faded, she fell to the floor
The diva had had her final encore
 
She was called difficult but the best
Fact to which all who knew her did attest
Eulogies told with melancholy tears
At the services filled with loved ones and peers
Every soul there agreed that it was
Fitting the last thing she heard was applause
woman on stage arms out

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Tonight Lillian tends bar at dVerse Poets Pub. It’s Open Link Night, where our words are all we’re ‘just sayin’…’ | Open Link Night : Just Sayin’ . . .

dVerse Poets Pub - OpenLinkNight Mic

No Means To Measure

I rise up in slate – what care I of time?

Shades reflective of my soul – my heart wonders in hues felt,

Charcoal through silver – yellows through purples.

Dawn or dusk does not matter – the seconds, minutes, the hours

In the colors of mourning – are no means to measure joy.

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At dVerse, Frank Tassone, our pubtender for today’s Meeting the Bar, challenges us to delve into aesthetics of Imagism, where less verbiage is employed to produce more imagery. We’re also encouraged to use Japanese or Sappho Greek lyric to accomplish such.

I chose an ancient form of Japanese poetry called Tanka and used it as a Super Tanka.

Tanka are 31-syllable poems. In Japan, it is usually written as a straight line of characters, but in English and other Western languages, it is usually divided into five lines, with a syllable count of 5-7-5-7-7.

The key to the Super Tanka form is that it is two Tanka side-by-side. Each can be read independently, yet must also work together as a whole, in effect creating three poems in one.

dVerse Poets Pub Meeting the Bar: Imagism Revisited

dVerse Poets Pub - OpenLinkNight Mic

Until Control Slips

Suppressing a desire
For centuries commuted
Ferried about
Twixt the rage
And the frustration
Via the complication
Of our blackness unheard and unseen
Except through
Crosshairs white and blue
Until control held sage
With fury slips out
Only to be persecuted
For the fire

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dVerse ~Poets Pub Quadrille #105: Cry Havoc and Let ‘SLIP’ the Dogs of War

Tonight at dVerse Linda challenges us to write a Quadrille, is a poetic form created here at dVerse, a poem of exactly 44 words (not counting the title) and including this challenge’s prompt word: SLIP

A Flush of Release

Given sweet release, on a sultry night
One hears the morning bird’s song, I close my eyes and breathe deep
It bans the darkness, heeding ganja’s call
Sleep a hazy memory, in the aromatic flush
Bright music waking the soul, all coherent thinking lost

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Tonight on dVerse Poets Pub Mish challenges us to flush things out in a quadrille – a poem of exactly 44 words not including the title. One of those 44 words must be the prompt – flush..

As I worked this out I realized I was on the path to creating a Super Tanka, so I just went with Muse and combined both. And being that today is 4/20 my mind naturally went to ganja’s call…