rhyme scheme

All posts tagged rhyme scheme

Unrequited

Posted by Raivenne on March 13, 2015
Posted in: dVerse ~ Poets Pub, Just Me, Being Me, Love, OpenLinkNight, Poetry, The Past, The Present. Tagged: , , , , , . 8 Comments


Can’t call a soul to my defense
The blame is mine, this wound immense
Don’t fall! Don’t fall! – sworn to uphold
The secrets of new spring leaves hold
The heart, the soul, can’t be controlled
You paint the sky with stars so bold
My vow too gone to be consoled
The secrets learned too late are cold
This love for you never is told
For to another yours is doled
Love found, yet lost, is the penance
To ache in this profound silence

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Because I have not done a poetic form in a while – today’s form: Duo-Rhyme (12 line)

The Duo-rhyme, is a 10 or 12-line poem, with the first two and last two lines having the same rhyme scheme, and the center of the poem (lines #3 through #8 or #10) having their own separate mono-rhyme scheme.

Meter: 8 beats per line, written in iambic tetrameter (4 linear feet of iambic)

Rhyme Scheme: 10-line: a,a,b,b,b,b,b,b,a,a  or 12-line: a,a,b,b,b,b,b,b,b,b,a,a

 dVerse ~ Poets Pub | Open Link Night – 144

Stolen

Posted by Raivenne on July 23, 2013
Posted in: dVerse ~ Poets Pub, Just Me, Being Me, Love, OpenLinkNight, Poetry. Tagged: , , , , , , , , , , . 21 Comments

.
.

The memory of it still lingers
Like sticky nectar on our fingers
Made the more so in summer’s heat
From the vain attempts to sluice
Our chins of honeyed peaches juice
But in a moment replete
Under the fading eye of Sol
We heed the thrill to shun control
The stolen kiss even more sweet

summer kiss

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And this is the Nove Otto

The Nove Otto poetry form  is a nine-lined poem with 8 syllables per line (isosyllabic). The rhyme scheme is as follows: aabccbddb

dVerse ~ Poets Pub | OpenLinkNight : Week 106

In The Hands

Posted by Raivenne on May 15, 2012
Posted in: dVerse ~ Poets Pub, OpenLinkNight, Poetry. Tagged: , , , , , , , , . 6 Comments

Cloth girds his eyes in loose blindfold
He lays there and conforms as told
To move now would court disaster
He’s in the hand of the master

A maze is stroked across his skin
He holds the urge to gasp within
Warm oils offer scents of aster
He’s in the hand of the master

He seams the pleasure with the pain
The odd brew comfort it contains
One moment slow, the next faster
He’s in the hand of the master

Bordered on pleasure’s dive he moans
And lets escape a fizzled groan
Flesh yields like sinner to pastor
He’s in the hand of the master

A subtle tap sends the message
His hour’s up for this massage
His twinkled grin is now plastered
He’s in the hand of the master

Sore muscles tamed by fingers meek
Sets his appointment for next week
A magic touch like spell casters
He’s in the hand of the master


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And today’s form? Kyrielle

The French kyrielle is composed entirely of quatrains (a quatrain is any stanza with four lines). There is no set number of stanzas, although generally a kyrielle contains three or more. The rhyme scheme is up to the poet (aabb ccbb ddbb etc. is frequently used), but it must be the same for all stanzas. Also, the last line of all stanzas is the same. Kyrielles generally have eight syllables per line, although this is not a requirement.

Other rhyme schemes for the quatrain could be abaB, cbcB, dbdB, etc… or abbA, accA, addA, etc.. As long as the each quatrain uses the same rhyme scheme, the choice is yours.

dVerse Poets | OpenLinkNight – Week 44

Moshing

Posted by Raivenne on April 12, 2012
Posted in: dVerse ~ Poets Pub, Just Me, Being Me, Meeting the Bar, Poetry, The Present, Thinking Aloud. Tagged: , , , , , , , , , . 33 Comments

Music blares through amplifiers
Heavy Metal
Bass line
Loud

My age shocks some
In this
Crowd

Me in the mosh
Thrashing
Proud

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Last week I went to an underground concert to support and critique a friend whose band was performing there. Let’s just say I could have given birth to most of the other attendees with whom I was front stage and center dancing up a storm. Conversations while different bands set up, comparing the ones performing that night to other older (sometimes much older), bands is when some realized I was not even within fifteen years of their age. As faces ebbed and flowed that night, it became something of a running gag for some whippersnapper in the know to grab a newcomer and have him or her guess my age. Yes, Advil was dear my friend the next morning, but this Mama held her own proudly that night.

Because when this mama rocks, it’s not in a chair.

A conversation I had yesterday regarding my love of head banging music reminded me of last week’s concert. I decided to immortalize it by trying another Zeno poem (Ten lines with the syllable count: 8/4/2/1/4/2/1/4/2/1 and a rhyme scheme: a/b/c/d/e/f/d/g/h/d).

That it also happens to fit this weeks dVerse challenge of “keeping it small” is an added bonus. 22 words total!

dVerse ~ Pets Pub | MeetingTheBar: It’s a small, small world — so let’s LIMBO like there is no tomorrow