<>==========<>==========<> At dVerse Poets, our host Lis Li invites us to feed our poetic appetite with a quadrille, a poem of exactly 44 words not including the title, but must include the use of the prompt word “hunger”.
What have I become My sweetest friend Everyone I know goes away In the end Hurt – Trent Reznor (Nine Inch Nails)/Johnny Cash
I was darkness and fury To your light and sun On a whim I simply snuffed it It’s a hurt that can’t be undone I thought I knew what I was doing To take you for granted and then some Only to simply walk away Leaving you as chaff in the wind’s sway And how the shame of it numbs What have I become?
With me as predator and you as prey I shot an arrow through your soul You had no chance in this farce There was no means to console I thought I knew what I was doing Going for the break, not just the bend Damn how your body trembled As your soul disassembled And how the shame of it wends My sweetest friend
You were my own soul’s mirror Shattered in a thousand places And I felt the pain as my own In a thousand fractured faces I thought I knew what I was doing How I’ve come to rue that day Seeing the evidence of what I did I was loath to leave it hid And how the shame of it stays Everyone I know goes away
You never said a word, I know this But somehow your break struck me to the core Never one to rage, yet it changed you And everyone wanted to know the score I thought I knew what I was doing Now I am the chaff in the wind The wounds of my hateful inflections Forever bared in my reflections And now the shame of it does rend In the end
<>==========<>==========<> At dVerse Poets Meeting The Bar, Björn challenges us to write a glosa. I have not written one in what feels like ages. The image “Shame” by Ally Saunders already had Muses’ attention, but I did not know what direction to go with it until Johnny Cash’s cover of “Hurt” by Nine Inch Nails played on my iTunes, and everything fell into place. I always felt Trent Reznor’s NIN original was suppressed rage in the aftermath of a wrong done, and Cash’s cover was resignation of those wrongs in the sunset of the life lived. Here, I aim for the liminal space between rage and resignation – acknowledgment of the unforgivable.
Summer dances, space and earth entwine, With heated coral velvets and currant wine, In sunset is how Sol bows and takes His leave, Thus, His lover ascends in Her night weave Where verdant grounds in dark align, As Nyx doth claim Her right divine
For this week’s prompt, Dee (aka WhimsyGizmo) has perusing a pithy, prestigious little nugget of a quadrille, a poem of exactly 44 words not including the title, but must include some fun or fanatic use of the prompt word “Summer”.
F***! Barely 9AM Monday and I’m frazzled already… Really, this could have been an email, they don’t agree. I don’t have enough coffee for this mess… Damned too early to be this stressed! Am I ready for the weekend? Oh, Father deliver me, YES!
For this week’s prompt, Dee (aka WhimsyGizmo) has us freaking out over a quadrille, a poem of exactly 44 words not including the title, but must include some fun or fanatic use of the prompt word “Friday”.
The blank page My tomb – My womb Where I smolder, Gossamer – Nebulous A spark from beneath the surface, I scratch at an idea, Thoughts slowly burning, The kindling of Letters and punctuations Until I am borne anew A phoenix Burning away blankness In sentences and paragraphs In verse and prose Then in splendiferouscoda Of the final character I vale to the emptiness My tomb, My womb Of the next blank page
Dora from Dreams from a Pilgrimage, challenges us to a write poem using any animal of choice (real or mythological) as a metaphor for how ideas and words take shape for you on a blank page
For this week’s Quadrille, Dee (aka WhimsyGizmo) has us folding over a quadrille, a poem of exactly 44 words not including the title, but must include some form of the prompt word “fold”.
For this week’s Quadrille, Dee (aka WhimsyGizmo) has us pining for a quadrille, a poem of exactly 44 words not including the title, but must include some form of the word “pine” as a noun, verb, or adjective. Or play around with it and invent your own word.
I live at the edge of your atmosphere a sunset strip colorific and clear in a life despite God I cheer raindrops on a sunny April afternoon as tears
Ineffable lamentations surge sweetly to my ears
I bang the drum called your heart with sass for life in a bottle is a house made of glass it was a fruitloop daydream to think me a mere lass the tiny box of lies – the molehill now a mountain of morass
Is the wafting requiem heard through the crevasse
I wake laughing when you knock me out weeping I am my father’s daughter, my lure your curse vastly sweeping your eyes wide shut, don’t touch me while I am sleeping the hate with which I slumber – the secret lover I’m keeping
In the melodic dirge of your tears slowly seeping
dVerse ~ Poets Pub | Let Music Speak
dVerse ~ Poets Pub
Yesterday at dVerse, poet-tender for the evening, paeansunplugged, invited us to let the music speak and challenges us to write a poem based on prompt phrases from the music of Linda Perry:
Edge Of Your Atmosphere
Sunset Strip
Life Despite God
Sunny April Afternoon
Bang The Drum
Life in a Bottle
Fruitloop Daydream
Tiny Box Of Lies
Knock Me Out
I Am My Father’s Daughter
Don’t Touch Me While I Am Sleeping
Secret Lover
We were only required to to incorporate two of the above choices in our poems about music. As usual Muse chose not understand the message. All twelve prompts are there in the order as given.
For this week’s Quadrille, Kim (Writing in North Norfolk) is prompting a revolution for a quadrille, a poem of exactly 44 words not including the title, but must include some form of the word “revolution”.
Here I give gentle nods to Gil Scott Heron (The Revolution Will Not Be Televised) and Marvin Gaye (Inner City Blues)
The silence was loud – A cacophony In the moment felt after – Their two hearts beating as one What once was – scattered – What it now collects So beyond what could have been – In the moment of his kiss When he marked her with a smack – That she returns it in kind
Tonight, Laura is hosting this week where we are challenged to cleave antonyms in a contrapuntal poem.
Here I play with the ending and the beginning of a relationship, tenses and use of the word smack a bit of a contranym itself.
Choosing from a collection of opposing word pairs as a prompt. We must then write two distinct poems, while including the chosen words somewhere in the body of each poem and then combine as one larger composition as either a Contrapuntal, Cleave or Reverso form.
When looking up examples of the above poetry form I realized I knew of another form which aso fit the desired theme perfectly and offer a Super Tanka.