A year in quarantine has squashed my poor travel bug which is as antsy as a jumping bean right now. Reminiscing/Lamenting past travels brought good conversation and a good question.
Question:
If you had unlimited funds, and instant travelling with you and anyone you want to bring along at your disposal, what would your perfect day (24 hours, live it up) look like?
My Response:
Teleportation and some serious Red Bull/5 Hour Power would be likely needed, but I would bounce around the world.
This is a rough estimate timeline as I have no idea of sunrise/sunset times are for most of the places listed and would have to adjust my schedule accordingly.
* 9am – Breakfast on the Nile, with a tour of the Pyramids and camel riding included.
* Noon – Zip over to Antarctica for an hour of up close wildlife watching because I just have to step foot on that continent, not just see it from a cruise ship.
* 1pm – Warm up on Ireland and Scotland coasts mid-afternoon; I want to personally see the beautiful vistas and at least one of the ancient castles I’ve only seen in movies.
* 3pm – since we’re so close, a quickie bite at the Eiffel Tower (and perhaps a different sort of quickie afterward should I have a S/O by then).
* 5pm – New Zealand, The amazing forest shown in Lord of the Rings I believe was shot there.
* 6pm – Machu Picchu – for the amazing history.
* 7pm – Rio, Brazil, Statue of Jesus and the divers – self explanatory.
* 8pm – Sunset dinner in the Potala Palace is in Lhasa, Tibet. Can you imagine how glorious a sunset that must be at one of the most amazing architecturally impressive structures and at one of the highest points in the world!
* 10pm – Tokyo, Japan – Just to see the only place brighter than Vegas at night – lol.
* 2am – Dubai (UAE) – for some serious late-night night life in an unexpected place, gotta get my partay on!
* Twilight/Dawn – Tonga Island – one of the closest places to the International Date Line – to be on the cusp of yesterday and tomorrow simultaneously.
* 5am – Sunrise on Uluru (Ayers Rock) Australia. For the sheer beauty and reverence of the place.
* 8am – New York, New York – because There’s No Place Like Home.
Bored ambivalence was the word of the day Decided I was going to go home the long way It’s only curiosity, was the cool wind blowing around me Seemed like a day just like any other one But then a curve ball was thrown into the mix hon
There she was the new big city kid now in a small country town Sitting on the fence by the creek, so all alone and looking down Didn’t take a psychic trick, to see she was homesick I had passed by, but Fate triumphed and I came back after a while And the reward I reaped was to see beauty in the light of her smile
Every day she smiles it’s just pure elation Every hour she laughs I can’t help but laugh too Every minute we kiss it’s an inspiration And every second she breathes — I thank the heavens it’s true
I tried to descend from the fence, but my foot wasn’t quit clear And yeah, she laughed as I fell in the water dead on my rear But she was quick to quell, any hurt feelings and that was swell By the time I walked her home as first stars shone bright I was dry and she knew everything was going to be all right
We became friends who flitted twixt that love or the other Took two years to learn that we were only meant for each other The great gift I was to find was to let me live inside her mind What wisdom knew back then, that one act of kindness from me, Would ascend to a love for you that’s here for all eternity?
Fate stays unconquered every time on the when and where, We only knew we had arrived once we got there
Every day you smile it’s just pure elation Every hour you laugh I can’t help but laugh too Every minute we kiss it’s an inspiration And every second you breathe — I thank the heavens for you
The tritina is a reduced version of the sestina written in iambic pentameter, which uses 3 repeated end-words (i.e. the final word of each line is repeated as the final word of each line in subsequent stanzas, just in a different order) and 3 three-line stanzas with a concluding one-line coda that must contain all three repeated words in order of their original appearance. The pattern/order of the repeated end-words is:
Is a distinguished hearty-har, More fun than a simple guffaw? Care to tell a chortler Their tones are that of titterers? The ground rule is a simple one: The volume rises with the fun! Come point out an open chuckle From sniggers that burst a buckle. But pick a laugh it’s yours to call ‘Cause I’m about to slip and fall!
National Poetry Month for 2021 Day 8 brings some giggles.
The days I survive
It's the nights I dread
When faced with the emptiness
of our bed
The day I spend madly
running to and fro
coming home only once I've
exhausted every other place to go
Under the guise of being busy
Under the prayer, I'll quickly sleep
Stretched out in a space
unnaturally wide
I can't enjoy it
you're not by my side
You're out on the road
and not just for a small while
I'm faced with the reality
of not seeing your smile
For each eternity I lay awake
gets closer to the tears I'll shed
Yes, while your voice on the phone
makes the moment feel alright
once we hang up, it's just me
Just the emptiness, just the night
The days I survive
It's the nights I dread
When faced with the emptiness
of our bed
National Poetry Month for 2021 Day 7 finds me pondering the lamentations of a long-distance truck driver’s spouse in free verse.
Tonight at dVerse Lisa challenges us to play ‘The Opposite Game’ and Flip the Meanings of poems.
I chose to create a poem using the Diamante form which goes as follows:
Line 1: Noun or subject Line 2: Two Adjectives describing the first noun/subject Line 3: Three -ing words describing the first noun/subject Line 4: Four words: two about the first noun/subject, two about the antonym/synonym Line 5: Three -ing words about the antonym/synonym Line 6: Two adjectives describing the antonym/synonym Line 7: Antonym/synonym for the subject
As its name suggests, a Diamante forms a diamond shape when done.
Though often (mis)attibuted to John Lennon, the earliest certain source of the popular quote was by Marthe Troly-Curtin in her novel “Phrynette Married” (1912).
I used this exact opening a couple of weeks ago when I attempted to have a day vegetating. Today I use it response to a complaint.
“God! Every time I call! Why are always writing a story, or working out a poem, or you’re painting something. Pick something, ONE thing and be good, really good, perfect at it. Maybe you could make money off it and stop wasting your time.”
My pithy response: “I write and I paint because I like it and because I have no space for carpentry workshop and a kiln.”
Oh, there was so much to unpack with that loaded statement and her not understanding why I was offended by it.
What is with limiting a person to one form of expression? The whole pick one thing and be good/perfect at it nonsense, is in a word nonsense. Dion Sanders and Bo Jackson excelled in both baseball and football in their heydays. Venus and Serena Williams are both phenomenal tennis players and wonderful clothing designers. Several of Hollywood and UK actors also excel in other creative outlets. It’s Art. You know that thing like beauty is in the eye of? So who determines what’s good or God help us perfect creatively anyway? Who determines its clock value? Is the pursuit of a second passion for pleasure only limited to those those who can afford it? If it’s not making money, it is waste of time?
As I understand it Art students study other art to learn what’s good. Though they both use pointillism, no one is going to confuse a Seurat with a Lichtenstein, but they’re both good. Rembrandt, Warhol, Monet, Max, Michelangelo, Haring, Picasso, Van Gogh, Pollock, are all amazing artists, not one looks like the other and none of them did what they did to be “good.” The artists painted what they wanted, the way they wanted – period. That others cottoned on and made some of them renowned during their lifetimes was a lucky bonus. Some of the names mentioned were not famous, until after their deaths. It likely wasn’t perfect, to some of them. It may not have even been “good” to them, but you know what it was? Good enough to make them happy or they tried again until they were. They did it for they were inspired, because it pleased them. I am 10,000 percent sure someone had said to each them at some point “stop wasting time.”
Why must damn near everything in life sans breathing, and bathroom functions, can only be considered worthy of one’s time if it can also potentially line one’s wallet? Stop that nonsense! Elizabeth Barret Browning, Alex Haley, e.e. cummings, Arthur Conan Doyle, Langston Hughes, James Baldwin, Nikki Giovanni, Ernest Hemingway, Sylvia Plath, Octavia Butler, Stephen King, Diana Gabaldon, Andrew Wilmot, Amanda Gorman: none of them wrote their very first stories and poems, because they were out to make money, they wrote because they had stories to tell. It just so turned out that eventually others liked the stories as well. The rest is the luck, ill or otherwise, of the draw. But we know their names in the first place solely because they had a story they needed to tell. The story got told. It was not a waste of time.
We blog, and some of have regular followers, but the mass majority of us are not, nor have any intent to be “influencers.” Still, we blog because we have stories to tell, in words or in art or both.
I create because it pleases ME. The moment it becomes something I have to do to make money, it becomes a job. And knowing me – it will no longer be something I enjoy. I create the ways I do because I want to. I’m not trying to be good, I am having fun. That others enjoy it is wonderful, but is never the impetus for me to type out pixels or pick up my pencil or brush. It is always time well spent, even if I hate the result. On the outside I am an adult exuberantly expressing my creativity through mixed media. On the inside I’m a four-year-old happily making a mess scribbling and finger painting. Ask any preschooler…