Tapestry

Chronos, War and Death stood with Fate looking on that beautiful scroll of life known as The Tapestry.

Clotho, cheeky and young, her hair pulled into a loose braid to keep it out of the way as she works, sits crossed legged  at one end of the loom feeding it threads from her skein. The threads comprised of silky glowing filaments, are a storm of commotion controlled in her lithe fingers until the moment they touch the Tapestry where they flash a color and become Someone. A new baby born into the world full of despair and hope, ease and struggle and always the potential to hate and love.

This is when the more mature Lachesis with her nimble, near sensual fingers flash her needles and hooks takes over. All the important people Someone will ever meet, know, love or hate are due to the gentle, or sometimes quite the rude shove of her fingers and tools pushing and guiding every thread into and through the ever flowing stream that is the Tapestry into its design.

At the other end of the loom sits the matron among them, Atropos. Quick to tell you “I’m not your judge.” she often comes off as somewhat feeble to many upon first meeting her. As you get to know her, you realize just how tough and ruthless she is as she lifts the threads Lachesis is done with and the ever present, ever deadly, ever gleaming shears of her bailiwick sigh mercilessly as Someone’s part of the design ends.

It always amused Death how the human myths stories have the Fates as three different women. It took him a month to realize that the three women were in fact the same female at different ages. The power of her bailiwick enabling her to display them separately to work independently as they were now. Only War figured it out faster, taking a couple of weeks.

Whenever he stood before the Tapestry it never failed to impress Death that one of those threads is His own. It took him ages to discern which one was his and those of his compatriots. It is one thing to know the mystery such as an abstract myth, it is a daunting thing to actually see your life is literally in the hands of Fate. Death felt a sudden charge thrum through him, his dark curls lifting as if his body were suddenly receiving a boost of li…

Clotho?!

He just caught the sudden glow of his thread and immediately raised a brow at Clotho. Her warm eyes glitter with mirth as she snatches her hands away in time from the whack of Lachesis’ needles. Atropos merely shook her head.

“Dammit Clotho! I told you warn me when you do that to one of us!” Chronos cringed running his hand over his face and head. The unruly silver spikes standing on end glinted in the light. He pulled the minute timer out of his pocket with the other hand expanding the hour glass to its full size. He swung it towards Death, and gave it a gentle tap. He nodded before shrinking it down again and putting it away.

“Sorry!” Clotho winced, clearly not sorry at all.

“Is.. is that allowed?” Death asked shocked.

“To extend a life, including our natural ones? She has that ability, yes.” Lachesis nods, a slight smirk lifts the corner of her lips.

“Is it allowed to be used as recklessly as she did just then? No.” Atropos glared at the girl, but was equally, if secretly pleased as she loved the dear boy after all. Only one among them loved him more. Fate senses before she sees the mist and corrects herself to make that two among them.

Gaea appears in a celadon mist and lays a light touch on Chronos’ forehead. “I felt the shift as it was one of Us and thought you would appreciate it.”

He nods his thanks as his pain eased to nothing.

“She rarely uses it because it can wreak havoc in the Design to extend our lives, not to mention it throws off Chronos and I who have to adjust Time and Nature to account for it. Though you sometimes give her, and us, no choice on the rare occasions you choose not to take a life in your list.” Gaea cups Death’s face and lays a hand on War’s arm. War’s face remains stoic, but she can feel his flush of pleasure and comfort at her touch.

“So, any headway on this?” Her luminous eyes light upon the Tapestry.

The scroll of The Tapestry covers an expanse of loom several yards wide visually.  Visually. With a touch of Fate any section of the Tapestry can become enlarged enough to fill part or all of the room as it is now.

Usually the whole of it a moving thing, flashing in swirls and whorls of colors. Suns, moon and stars flow in and out marking the passing of days.  For the moment the almost whole of it was stilled except for one small section and that is a most frightening thing. As with any tapestry minor blips and snags happened from time to time in a design, it was expected.

What they were looking at was not minor.

There was a major snarl in the very fringes of the design, something that should never happen. They were only seeing the outer edge of the dark shimmering mass, but experience told Fate this was going to be bad. Essentially, a new world war to end all wars was in the making, but not one of War’s direct doing. Set to happen within by the end of the next century, it was a very long time in human years, not so much in their godly milieu. This was why the group now stood there conferring over it trying to figure out how if formed and how to untangle it. No one, including Atropos, wanted to simply excise the mass. The repercussions of such were nearly as dire to the Tapestry as the threat itself, but they would if they had to save the Tapestry, humanity, as a whole.

“Serbia again, Brother Mine?” The pale lanky brunette peer at the scene in front of him. His mercurial eyes taking in the moving parts.

“Yes and no, Brother Mine.” War pointed at a section with his sword in one hand, while picking some microscopic thing that dared mar his impeccable armor with the other. “This new skirmish in Serbia is the end result. You’d know that if you followed these three threads that twisted here.”

“No, you’d know if you followed these two threads here and here.” Sherlock used his skull headed walking stick to point out a different set tangles.

“Boys, do not start!” Gaea clucked her tongue gently, but definitively, a tiny flare of lightening cracked in her eyes.

“Yes, Mummy.” Both men chorused. War at least looked contrite, Death simply smirked.

Chronos hid his own smirk behind with the sudden need to cough, “Anytime now. I don’t have forever.” His gravelly voice chided the group as he pulled out the Hour Glass again to its full size again.

“But why those threads, those lives?” Clotho asked looking closer at the strands “They each started off normally and then twist.”

“Why any of them?” Gaea asks shrugs “It’s just not natural.”

“Really?” War cocks a brow at the pun.

“Hush you!” Gaea waved her finger at him threateningly, even as she smiled fondly.

“You did not cause this skirmish, War, but you may have to go down there and end it. Regrettably, there’s naught to be done for the lives lost if you do – else it is going to be massive. I’d really like to avoid going down that road again. It took Death and I weeks to sort out the snarl of WWII. That was horrific enough and this looks to be much worse.” Chronos shrank the Hour Glass again.

“Oh, how I detest legwork.” War groaned. He sees Death leaning over Clotho brows knit in concentration.

“What do you see, Sherlock?”

“I don’t know it’s too nebulous yet. All of the threads you and I pointed out seem to flow back into our natural timelines.”  Death spread his long pale fingers wide over moving section,

“Your natural timeline?” Chronos squinted.

“No, all of ours. Yours, mine, Death’s War’s, even Gaea’s…” Atropos joined in “Something in our natural lives, we’re all in this. All of us…”

“STOP!” Lachesis’ voice thundered. The very walls and the Tapestry shook with the power of it. Wordlessly she held out her hands to her other selves as they coalesced into one.

“What is it?” Death felt the pull on his Lifeforce. He could tell by the reactions of others around him, she had done the same to them.

“There’s a gap.” Her voice shook as she expanded and contracted several places on the Tapestry in rapid succession.

“Martha you’re scaring me.” Gaea reached out to the middle-aged woman before her.

She turned to face them, a look of horror marked her face, as her three voices spoke as one.

We’re missing a thread.”

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Haven’t done this in a long while. Nice to be back for a visit.

The Sunday Whirl – Wordle 320

struggle, power, fringe, mystery, list, star, swirl, road, storm, sigh, lift, charge

sundaywordle320

Reader

There is (or was depending on when you read this) a Facebook meme asking users to list 10 books that have stayed with them in some way. The books did not have to mean anything to anyone but the user.

Here is my list in the order of which they popped into my head:

1. The Kushiel Legacy (Series) – Jacqueline Carey
2. Harry Potter (Series) – J.K. Rowling
3. Spenser (Series) – Robert B. Parker
4. X-Men (The Phoenix Saga) – Chris Claremont
5. The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso) – Dante Alighieri
6. Othello / Romeo & Juliet / Macbeth / Hamlet – William Shakespeare
7. Teacup Full of Roses – Sharon Bell Mathis
8. If Beale Street Could Talk / The Fire Next Time / Go Tell It On The Mountain – James Baldwin
9. Incarnations of Immortality (Series) – Piers Anthony
10. Holy Bible (King James Version)

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#1 (The Kushiel Legacy (Series) – Jacqueline Carey) and #9 (Incarnations of Immortality (Series) – Piers Anthony) on this list I have written about in an earlier blog post and you can read why I love them here. Below I give little summaries not of the books themselves (I trust that you know how to Google or Wiki it if interested 😉 ), but why they remain with me.

Harry Potter (Series) – J.K. Rowling

As a reader of the books and watcher of the movies I adore this in its entirety. Not having children of the target age initially designed for I didn’t come into the Potter world until I saw the first movie “Harry Potter and the Sorcerer’s Stone”. As a sucker for things magic, warlock, wizard, witches et cetera, I had to read the book that created such a delightful movie. Only then did I learn a) it was a children’s book and b) it was series. Still, by the time I finished reading the books published to that point Harry Potter and the Goblet of Fire, I was hooked. Author J. K. Rowlings has invented such an amazing in-depth world that is and yet is not part of our own, while never forgetting that at its core it is still a young adult book. In most children/young adult literature series the characters stay relatively the same age for years.  J. K. Rowling penned theses character in as true sense of a bildungsroman possible given the fantasy. Reading/watching the characters develop over the years, I really did have a sense of watching the characters grow and come into their own. The entire series was phenomenal storytelling that captivated me and opened up a genre of books (young adult) I never would have considered reading otherwise.

The following quote has been attributed to actor Alan Rickman who portrayed the Severus Snape character in the film version of the books:

When I’m 80 years old and sitting in my rocking chair, I’ll be reading Harry Potter. And my family will say to me, “After all this time?” And I will say, “Always”

That sums up my love for the books and their movies in its entirety.

Spenser (Series) – Robert B. Parker

I admit it, were it not for television, I likely still would have never heard of Robert B. Parker. Luckily for me, the television series “Spenser for Hire” happened.  I fell in love with the characters; none of whom were perfect (though the leads were perfectly cast in the show).  I found out in the third (and final) season that they were based on books and after reading “Ceremony” it was a done deal.  Robert B. Parker’s writing is witty, intense, mellow and detailed with nuance as he slides you into his Boston.   Both the requisite tough and tender, Spenser (with an “S” like the poet), a former boxer, former Boston cop, now private investigator is a well-read, often quoting classic poetry, yet one smartass S.O.B. and an excellent cook. He has his own very strong sense of morals and what happens when doing what’s right clashes with doing what’s right– as  it often happened. It is both the strength and the albatross of what makes his friendships and relationships work.

X-Men (The Phoenix Saga) – Chris Claremont

Yes, X-Men as in the Marvel comics and movies, The Uncanny X-Men comic books to be specific. Yes, Storm – a character who was strong, female, and stop the presses, Black – opened the door introducing me to X-Men and the Marvelverse, however, it was Chris Claremont’s writing that kept me in the building. From the Phoenix’s fiery ascension (ironically from the waters of New York City’s Jamaica Bay), to its death, The Phoenix Saga took a little over three years to tell in its entirety and I was there for every step of it. The very human dynamics of the mutant x-men working with their powers, and in the case of Phoenix powers that eventually prove to be far beyond her ability to control with dire consequences, was not something I expected in a comic. The world at large was just coming into the concept of a graphic novel, so this level of storytelling for a comic book was unheard of.  Yes, they were humans with extraordinary powers, but they were human first and that is what called out to me.

The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso) – Dante Alighieri

Finally reading this as an adult away from school, I needed two detailed abridged versions along with the original to fully appreciate the scope of this masterpiece.  Yes, on the literal surface, The Divine Comedy portrays Dante’s adventures in his imaginative realms of Hell, Purgatory, and Heaven, which is intriguing enough. However, these adventures or so much more than what is on the surface. Other than the Holy Bible, it was the first book I read that dealt with the demands Christianity makes on invariably fallible human souls. Though told through the character’s view this is not just one man’s struggle, but the struggle of all who strive for morality and find unity with God as we try to travel the right road.

Othello / Romeo & Juliet / Macbeth / Hamlet – William Shakespeare

Who is better at delving into what makes man, and woman, tick and then deliver it to us in finer verbiage than Willie Shakes? No one.  While his comedies show display our foibles with rapier sharp wit, it is his tragedies that really cut to the human heart of us. These four in particular being the prime examples of his craft.

Teacup Full of Roses – Sharon Bell Mathis

Though technically a young adult novel, I was ten when I read “Teacup Full of Roses” at the suggestion of my teacher.  I fell in love with the book because it was the first book I read clearly where the characters were contemporary (1970s), from the city and above all the characters were Black.  I could easily relate to the hopes, dreams, nightmares and failures of these people because they lived in my world. There is much conversation on how the media does not provide an accurate portrayal/accounting of people of color compared to real life, and this is at the adult level. Imagine how much more this is so at the child level.  Until then the only black character I knew in books was Jim in Huckleberry Finn.   Some will never understand how amazing and important this is to a child of color, but it is.

If Beale Street Could Talk / The Fire Next Time / Go Tell It On The Mountain – James Baldwin

Ah Baldwin, in turns made me yearn, made me made angry, made me resolute. Not yet fully aware of the world at large, I did not know the importance of his writing at the time. I just knew this was our lives being told true as I knew them to be. I was exposed to passion in black love, anger and Christianity in a way that was not toned down and pretty. Teacup impressed the ten-year old me, but Baldwin blew the teenaged me out of the water.

Holy Bible (King James Version)

Ah the Bible. I worried as Pharaoh refused to let the Israelites go. I understood the father’s joy when his prodigal son returned home; Abraham’s torment as he led Isaac up the mount, as he resolutely obeyed God’s word and Mary’s pain as she cried for her child on the cross.  And Song of Solomon / Song of Songs – well, that’s its own love.  For me The Word was never about  my potential destination to heaven or hell. It never really about His word per se, the analogies/parables between man and deity took second place to the stories of the people themselves and how we relate to and with Him.

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Dissecting this list I realize the connection between all of them is that, it is always about the people in them and their stories. Whether fictional/biographical/auto-biographical – it is how the protagonists / antagonists relate to themselves, to the immediate people who are a part of their daily lives and how they relate to the world the world at large. Good or ill, it’s all about what makes them tick.  And how deeply can they pull me into it their world and make feel me it in mine.